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Gods of Death, by Yaron Svoray
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In this real-life, explosive thriller, investigative journalist Yaron Svoray documents the reality of a subject that both horrifies and fascinates--the international underworld industry of the snuff movie: a video of an act of sex in which someone is actually killed. of photos.
- Sales Rank: #2819813 in Books
- Published on: 1997-09-09
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x 6.50" w x 1.00" l,
- Binding: Hardcover
- 304 pages
Amazon.com Review
Legal scholar and anti-pornography activist Catherine MacKinnon approached journalist Yaron Svoray about "snuff films," because he was the only person who'd said in print that he'd seen such a film (while undercover investigating neo-Nazis for his book In Hitler's Shadow), in which a girl was raped and murdered. "It is my misfortune," Svoray says, "to have been born with a need to look under the carpet." After a bit of soul-searching, he undertook the investigation described in this book--a series of adventures with many dead ends and mishaps, some of which are quite funny. (This reviewer was impressed by his tenacity.) The writing, while sincere, is overdramatized and synoptic, leaving the reader to decide whether to believe Svoray's hair-raising tales. This book is important for what it says about how (in Svoray's words) "blood sells," and it will no doubt spark much discussion among those who doubt the existence of snuff films.
From Library Journal
Investigative journalist Svoray, a former Israeli detective, described his infiltration of Germany's neo-Nazi movement in In Hitler's Shadow (LJ 10/15/94). The present work launches a one-man investigation into the netherworld of the "snuff" film?a pornographic video in which someone is actually killed. Hopscotching around the world, Svoray finds scant evidence, barely described and none of it retained. Given that almost all the names have been changed (Svoray's claim that he showed a snuff video to actor Robert De Niro is a startling exception) and that other omissions are admitted, credibility becomes an issue here. There is much padding with cloak-and-dagger and family-life episodes. Because the author concludes that there was "no source" for what he was seeking, his material might have worked better as a feature article. Not a necessary purchase for most libraries.
-?Gregor A. Preston, formerly with Univ. of California Lib., Davis
Copyright 1997 Reed Business Information, Inc.
From Booklist
Former Israeli detective Svoray spent much time and effort running down the truth about snuff films, pornography in which a cast member is killed during sex. Such stuff is difficult and expensive to obtain or view. Searching for it involves trolling an underworld in which the searcher must always be alert for danger. With Hughes' help, Svoray evokes the shroudedness and mystery of his quest, which is occasionally reminiscent of the old TV series The Prisoner, in which the protagonist had no idea what the people he is dealing with know or want. Svoray found real snuff films more than once, but the onscreen slaughter he reports is not as repulsive as the milieu he explored to see it. Filmed murder is, after all, a step removed from life, but the people who must be endured in order to watch it are still there when the lights come up. A deeply disturbing book for those with the courage and patience to enjoy it. Mike Tribby
Most helpful customer reviews
8 of 9 people found the following review helpful.
Over the top, lacks real insight, but compelling
By A Customer
Admittedly reads more like a potboiler thriller at times, and I strongly suspect it was written with the big screen in mind - understandable, since much of the book is comprised of the author's financial concerns & what his obsession with finding out the truth behind snuff films drives him to do and spend, both monetarily and emotionally.
When his investigation came to end, the author had a problem (another reviewer already gives away the ending, so I don't think I'm divulging any secrets): he hadn't managed to come up with the goods - he'd finally gotten his hands on a tape, but it was stolen from him while he was detained in a Serbian police station. So what do you do? His answer is to make a book out of the subjective experience of hunting down the truth - what he goes through, how it affects his family life, his psychological state, the potentially life-threatening situations he encounters, the characters he meets & how he gets on with them. This makes some sense, because the reader wants to understand the mental and moral state of people who could actually make, enjoy, or be in any way involved with these films, as well as what effects such images have on 'normal' people - as Svoray says, once you've seen them, there's no going back. Unfortunately Svoray doesn't have the psychological insight to make much of this (a much better example of real insight into monstrosity and evil is Christopher Browning's "Ordinary Men," which looks at a single battallion in Poland as a case study to understand how so many people could have committed the Holocaust) - great credit to him for his investigative skills, but his constant efforts at casting himself as moral judge disallow him from genuine understanding, and his portraits come straight from stock characters from standard thrillers. This problem potentially undermines the book's veracity, but one can also argue that he merely understands these people on the same terms borrowed from Hollywood, or that his co-writer (a screenwriter) compressed his character portraits to make for a fast read.
The book is a very quick read and compelling at times, and the reader must admire the author's bravado. So, in the end, does his claim to have seen real snuff films stand up? What proof does he offer? Here's something: he claims to have set up a viewing for the actor Robert De Niro and a friend of De Niro's; he recounts a conversation between the two men in which they say they believed the film was real; and De Niro's press agent has confirmed the viewing. So, while Svoray couldn't come up with any hard evidence, the De Niro story is pretty convincing that such films do in fact exist, and that there is indeed pure evil (in Svoray's terms) in the world.
5 of 5 people found the following review helpful.
Shooting for the stars...
By T. Willitts
...this endeavour narrowly avoids plummeting to Earth.
As it is, it's just not all that good. By all means, do not pay full price for this book. Like the other reviewers, I will not spoil the 'ending', and I will also say that there is hardly a shred of evidence or compelling presentation to make you really believe this is all true.
It's not investigative journalism. It's not entirely schlock, but it certainly is not the compelling story as promised by the slipcover.
The story is littered with all sorts of events, but not a shred of documentation; he even states that he avoids a lot of truth by changing names, places, times, events. Sadly, this also destroys what little credibility the story has. Even the name-dropping he does, doesn't carry much weight (and you'd think Robert De Niro's name would carry some weight, no?)
It's not a waste of time... but it's not the gripping story that one hopes it would be.
9 of 12 people found the following review helpful.
A Serious Investigation of a Deadly Subject
By A Customer
I am getting a little tired of reading reviews written by people who go into a reading experience working on the assumption that what the writer has chosen to write about simply doesn't exist--i.e., snuff films, ritual abuse, etc. Certainly the author presents serious credentials as an investigative journalist. It is extremely frustrating to read through the book and not have him come up with the object his search--absolute proof. But that, after all, is what separates nonfiction from fiction--the answers are rarely neat and satisfying. This writer made a commitment to the victims of the darkest side of the pornography industry, and he went as far as he could. Finally, for those who dismiss snuff as an impossibility--do you remember that little historical event known as the Holocaust? If the Allies had not reached the camps in the time, the Germans would have destroyed every trace of the concentration camps and the atrocities that took place there. Watch the documentary "Anne Frank Remembered", in which a camp survivor remembers standing outside naked in the snow in Auschwitz II. A Nazi officer stops to speak to him, saying, "You know, you're never going to survive this. But even if you do--no one will ever believe what we did to you people." Those who traffic in evil count on the refusal of the unvictimized to believe what human nature is capable of.
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